Sooyeon is going to prepare ribs for the 10 year anniversary of her mother’s death. However, in the midst of preparations, Sooyeon's stepmother, Youngeun, visits to help in place of Sooyeon's busy father. Sooyeon understands Youngeun’s intention, but the situation is uncomfortable. As a day passes amidst consideration and apologies, the morning of the memorial service dawns.

Sooyeon is going to prepare ribs for the 10 year anniversary of her mother’s death. However, in the midst of preparations, Sooyeon's stepmother, Youngeun, visits to help in place of Sooyeon's busy father. Sooyeon understands Youngeun’s intention, but the situation is uncomfortable. As a day passes amidst consideration and apologies, the morning of the memorial service dawns.

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Three women related to room 404 Sojung, Hayeon, and Miji. 　　The three women are curious about the situation in room 404.

One summer, I received the last letter she had left behind in 2004. Chuncheon, Soyang-ro, Jangmichon—a red-light district whose name means "Rose Village." It was where she wrote her final letter and where I spent my childhood. After receiving the letter, I returned, but both Jangmichon and my old house had vanished. Where did the women who lived here go? Why are they always the first to disappear? Who made them vanish? Searching for traces of the women who wavered and disappeared like a shimmering summer haze.

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Director Yeo Hong, who dreams of becoming the second Bong Joon-ho, and actor Joo Yeon, who dreams of becoming star are contacted by a film festival.

A trans man documentarist named Joo-wan has been filming the bereaved families who keep vigil at a joint memorial altar built on a wasteland. But the altar is about to be removed due to the construction of a new apartment. On the night before the day of removal, Joo-wan’s brother Tae-hee comes and tell him their father died. Joo-wan meets his family after 7 years.

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